1我要起身走了,去悦诗风吟,2And a small cabin build there, of clay and wattles made: 3 Nine bean-rows will I have there, a hive for the honeybee, 4 And live alone in the bee-loud glade. 5 And I shall have some peace there, for peace comes dropping slow, 6 Dropping from the veils of the mourning to where the cricket sings; 7 There midnight's all a glimmer, and noon a purple glow, 8 And evening full of the linnet's wings. 9 I will arise and go now, for always night and day 10 I hear lake water lapping with low sounds by the shore; 11 While I stand on the roadway, or on the pavements grey, 12 I hear it in the deep heart's core.

(1893)

Which of the following is the rhyme scheme of the poem?

I saw thee once—once only—years ago:

I must not say how many—but not many.

It was a July midnight; and from out

A full-orbed moon, that, like thine own soul, soaring,

Sought a precipitate pathway up through heaven, (5)

There fell a silvery-silken veil of light,

With quietude, and sultriness and slumber,

Upon the upturn'd faces of a thousand

Roses that grew in an enchanted garden,

Where no wind dared to stir, unless on tiptoe— (10)

In line 6, what is “silvery-silken” an example of?

I saw thee once—once only—years ago:

I must not say how many—but not many.

It was a July midnight; and from out

A full-orbed moon, that, like thine own soul, soaring,

Sought a precipitate pathway up through heaven, (5)

There fell a silvery-silken veil of light,

With quietude, and sultriness and slumber,

Upon the upturn'd faces of a thousand

Roses that grew in an enchanted garden,

Where no wind dared to stir, unless on tiptoe— (10)

什么literary device can be seen in lines 8-9?

I saw thee once—once only—years ago:

I must not say how many—but not many.

It was a July midnight; and from out

A full-orbed moon, that, like thine own soul, soaring,

Sought a precipitate pathway up through heaven, (5)

There fell a silvery-silken veil of light,

With quietude, and sultriness and slumber,

Upon the upturn'd faces of a thousand

Roses that grew in an enchanted garden,

Where no wind dared to stir, unless on tiptoe— (10)

什么literary technique can be seen throughout the entire passage?

1 In silent night when rest I took,

2 For sorrow near I did not look,

3 I wakened was with thund’ring noise

4 And piteous shrieks of dreadful voice.

5 That fearful sound of “fire” and “fire,”

6 Let no man know is my Desire.

7 I, starting up, the light did spy,

8 And to my God my heart did cry

9 To straighten me in my Distress

10 And not to leave me succourless.

11 Then, coming out, behold a space

12 The flame consume my dwelling place.

13 And when I could no longer look,

14 I blest His name that gave and took,

15 That laid my goods now in the dust.

16 Yea, so it was, and so ‘twas just.

17 It was his own, it was not mine,

18 Far be it that I should repine;

19 He might of all justly bereft

20 But yet sufficient for us left.

21 When by the ruins oft I past

22 My sorrowing eyes aside did cast

23 And here and there the places spy

24 Where oft I sate and long did lie.

25 Here stood that trunk, and there that chest,

26 There lay that store I counted best.

27 My pleasant things in ashes lie

28 And them behold no more shall I.

29 Under thy roof no guest shall sit,

30 Nor at thy Table eat a bit.

31 No pleasant talk shall ‘ere be told

32 Nor things recounted done of old.

33 No Candle e'er shall shine in Thee,

34 Nor bridegroom’s voice e'er heard shall be.

35 In silence ever shalt thou lie,

36 Adieu, Adieu, all’s vanity.

37 Then straight I ‘gin my heart to chide,

38 And did thy wealth on earth abide?

39 Didst fix thy hope on mould'ring dust?

40 The arm of flesh didst make thy trust?

41 Raise up thy thoughts above the sky

42 That dunghill mists away may fly.

43 Thou hast a house on high erect

44 Framed by that mighty Architect,

45 With glory richly furnished,

46 Stands permanent though this be fled.

47 It’s purchased and paid for too

48 By Him who hath enough to do.

49 A price so vast as is unknown,

50 Yet by His gift is made thine own;

51 There’s wealth enough, I need no more,

52 Farewell, my pelf, farewell, my store.

53 The world no longer let me love,

54 My hope and treasure lies above.

(1666)

By what metrical unit is the poem structured?

1 In silent night when rest I took,

2 For sorrow near I did not look,

3 I wakened was with thund’ring noise

4 And piteous shrieks of dreadful voice.

5 That fearful sound of “fire” and “fire,”

6 Let no man know is my Desire.

7 I, starting up, the light did spy,

8 And to my God my heart did cry

9 To straighten me in my Distress

10 And not to leave me succourless.

11 Then, coming out, behold a space

12 The flame consume my dwelling place.

13 And when I could no longer look,

14 I blest His name that gave and took,

15 That laid my goods now in the dust.

16 Yea, so it was, and so ‘twas just.

17 It was his own, it was not mine,

18 Far be it that I should repine;

19 He might of all justly bereft

20 But yet sufficient for us left.

21 When by the ruins oft I past

22 My sorrowing eyes aside did cast

23 And here and there the places spy

24 Where oft I sate and long did lie.

25 Here stood that trunk, and there that chest,

26 There lay that store I counted best.

27 My pleasant things in ashes lie

28 And them behold no more shall I.

29 Under thy roof no guest shall sit,

30 Nor at thy Table eat a bit.

31 No pleasant talk shall ‘ere be told

32 Nor things recounted done of old.

33 No Candle e'er shall shine in Thee,

34 Nor bridegroom’s voice e'er heard shall be.

35 In silence ever shalt thou lie,

36 Adieu, Adieu, all’s vanity.

37 Then straight I ‘gin my heart to chide,

38 And did thy wealth on earth abide?

39 Didst fix thy hope on mould'ring dust?

40 The arm of flesh didst make thy trust?

41 Raise up thy thoughts above the sky

42 That dunghill mists away may fly.

43 Thou hast a house on high erect

44 Framed by that mighty Architect,

45 With glory richly furnished,

46 Stands permanent though this be fled.

47 It’s purchased and paid for too

48 By Him who hath enough to do.

49 A price so vast as is unknown,

50 Yet by His gift is made thine own;

51 There’s wealth enough, I need no more,

52 Farewell, my pelf, farewell, my store.

53 The world no longer let me love,

54 My hope and treasure lies above.

(1666)

"Farewell, my pelf, farewell, my store" is an example of__________________.

1 In silent night when rest I took,

2 For sorrow near I did not look,

3 I wakened was with thund’ring noise

4 And piteous shrieks of dreadful voice.

5 That fearful sound of “fire” and “fire,”

6 Let no man know is my Desire.

7 I, starting up, the light did spy,

8 And to my God my heart did cry

9 To straighten me in my Distress

10 And not to leave me succourless.

11 Then, coming out, behold a space

12 The flame consume my dwelling place.

13 And when I could no longer look,

14 I blest His name that gave and took,

15 That laid my goods now in the dust.

16 Yea, so it was, and so ‘twas just.

17 It was his own, it was not mine,

18 Far be it that I should repine;

19 He might of all justly bereft

20 But yet sufficient for us left.

21 When by the ruins oft I past

22 My sorrowing eyes aside did cast

23 And here and there the places spy

24 Where oft I sate and long did lie.

25 Here stood that trunk, and there that chest,

26 There lay that store I counted best.

27 My pleasant things in ashes lie

28 And them behold no more shall I.

29 Under thy roof no guest shall sit,

30 Nor at thy Table eat a bit.

31 No pleasant talk shall ‘ere be told

32 Nor things recounted done of old.

33 No Candle e'er shall shine in Thee,

34 Nor bridegroom’s voice e'er heard shall be.

35 In silence ever shalt thou lie,

36 Adieu, Adieu, all’s vanity.

37 Then straight I ‘gin my heart to chide,

38 And did thy wealth on earth abide?

39 Didst fix thy hope on mould'ring dust?

40 The arm of flesh didst make thy trust?

41 Raise up thy thoughts above the sky

42 That dunghill mists away may fly.

43 Thou hast a house on high erect

44 Framed by that mighty Architect,

45 With glory richly furnished,

46 Stands permanent though this be fled.

47 It’s purchased and paid for too

48 By Him who hath enough to do.

49 A price so vast as is unknown,

50 Yet by His gift is made thine own;

51 There’s wealth enough, I need no more,

52 Farewell, my pelf, farewell, my store.

53 The world no longer let me love,

54 My hope and treasure lies above.

(1666)

Which of the following literary devices does the author employ in this poem?

1 MUCH have I travell’d in the realms of gold,

2 And many goodly states and kingdoms seen;

3 Round many western islands have I been

4 Which bards in fealty to Apollo hold.

5 Oft of one wide expanse had I been told

6 That deep-brow’d Homer ruled as his demesne;

7 Yet did I never breathe its pure serene

8 Till I heard Chapman speak out loud and bold:

9 Then felt I like some watcher of the skies

10 When a new planet swims into his ken;

11 Or like stout Cortez when with eagle eyes

12 He star’d at the Pacific—and all his men

13 Look’d at each other with a wild surmise—

14 Silent, upon a peak in Darien.

(1816)

Lines 9-14 make use of what literary device?

To the Dead in the Grave-Yard Under My Window
by Adelaide Crapsey (1878 - 1915)

1. How can you lie so still? All day I watch
2. And never a blade of all the green sod moves
3. To show where restlessly you toss and turn,
4. And fling a desperate arm or draw up knees
5. Stiffened and aching from their long disuse;
6. I watch all night and not one ghost comes forth
7. 午夜小时的自由。
8. Oh, have you no rebellion in your bones?
9. The very worms must scorn you where you lie,
10. A pallid mouldering acquiescent folk,
11. Meek habitants of unresented graves.
12. Why are you there in your straight row on row
13. Where I must ever see you from my bed
14. That in your mere dumb presence iterate
15. The text so weary in my ears: “Lie still
16. And rest; be patient and lie still and rest.”
17. I’ll not be patient! I will not lie still!

The poem’s imagery suggests a parallel between___________.

Tyger! Tyger! burning bright,

In the forests of the night,
什么immortal hand oreye
Could frame thy fearfulsymmetry?

In what distant deeps or skies
Burnt the fire of thine eyes?
On what wings dare he aspire?
什么the hand dare sieze the fire?

And what shoulder, & what art,
Could twist the sinews of thy heart?
And when thy heart began to beat,
什么dread hand? & what dread feet?

什么the hammer? what the chain?
In what furnace was thy brain?
什么the anvil? what dread grasp
Dare its deadly terrors clasp?

When the stars threw down their spears,
And water'd heaven with their tears,
他是否微笑着欣赏他的作品?
Did he who made the Lamb make thee?

Tyger! Tyger! burning bright
In the forests of the night,
什么immortal hand or eye
Dare frame thy fearful symmetry?

(1794)

什么literary term best describes the bolded and underlined words in the first stanza?