这两个图片描述一个重要的故事rom the Gospels in the New Testament, the four books that tell the life of Jesus Christ. The image on the left is of the Annunciation, the announcement an angel made to the Virgin Mary telling her that she was pregnant with the Christ child. It was painted in 1433 by Fra Angelico. The image on the right is of the risen Jesus encountering his disciples in Emmaus, painted by Caravaggio in 1606.

Figure 3:The Annunciation (Cortona)by Fra Angelico (1433)

Figure 4:Supper at Emmaus (Milan)by Caravaggio (1606)

Most people in Medieval Europe could not read or write, but the Catholic church had a vested interest in helping all of its members to become familiar with and understand the stories of the Bible. A painting like the one presented here by Fra Angelico not only shows the Angel Gabriel telling the Virgin Mary of her status as the mother of the Christ child, but gives a larger symbolic structure to the event.

Figure 3:The Annunciation (Cortona)by Fra Angelico (1433)

Figure 4:Supper at Emmaus (Milan)by Caravaggio (1606)

在基督教传统中,尤其是在Medieval Christianity, the inventor of Christian icons and the first person to paint any images of Christ was the Evangelist Saint Luke. In his 1440 painting, "Saint Luke Drawing the Virgin, the early Netherlandish painter Rogier van der Weyden includes someone painting the Madonna and Child with a book open at his feet. Both of these clues indicate that the figure is Saint Luke.

In the very back of the painting, the "Arnolfini Portrait" by Jan van Eyck, is a convex mirror that is positioned directly between the two main figures. This mirror reflects the back of the couple, and the entire room. The use of such a device was peculiar for medieval art, but presaged some of the new approaches that would be taken during the Italian Renaissance.

As an image of Christian devotion, Rogier van der Weyden's "Saint Luke Drawing the Virgin" is laced with important symbolism, including the small garden seen through the window in the painting's background. For Christians, any garden is a reference to the Garden of Eden, the earthly paradise where Adam and Eve were innocent before disobeying God. This notion of innocence is also reflected in the fact that this is a portrait of the Virgin Mary, who was believed to have never sinned.

Many wealthy women in the middle ages and early modern era kept lap dogs as pets, which were seen as symbols of their motherly caring before they were married. Jan van Eyck places the dog in the middle of hisArnolfini Portrait, making it already a member of this new family.

Each of these images, Leonardo da Vinci's 1489 "Lady with an Ermine" and Sandro Botticelli's 1486 "The Birth of Venus", are classic examples of Italian Renaissance paintings. Da Vinci painted in Milan, under the patronage of the Sforza family, the longtime Dukes of Milan. Botticelli had the Medici family as patrons in the city-state of Florence.

Botticelli's "The Birth of Venus" portrays a story from Greek mythology. This is common in Italian Renaissance art.

The animal is an ermine (which is a type of weasel). In Leonardo da Vinci's time, the ermine was commonly used throughout Europe as a symbol for purity.

If you don't remember something like this on test day, you can still make an educated guess. For example, you might not remember anything about ermines, but perhaps you remember that white doves are often used in art to symbolize purity. That would lead you to the correct answer.

At the very least, you can probably eliminate the answers "disgrace" and "sensuality" just from looking at the painting. Eliminating two of the four answer choices doubles your chances of guessing correctly.

While da Vinci's "Lady with an Ermine" is an excellent portrait in its own right, the truly revolutionary aspect of the work is the small sense of motion in the painting. Da Vinci's subject is turning ever so slightly and is captured in a small amount of tension. The ability to capture movement was something introduced during the Renaissance.