The Lion symbolizes Buddha's royal status. The Wheel denotes Buddha's law. The Lotus is a symbol of Buddha's natural origins. Trees are not a key symbol in the iconographic scheme of Buddhist art.

Monumental landscapes during the Northern Song dynasty are characterized by their use of three distinct perspectives in the composition: high distance, level distance, and deep distance.

Instead of painting in golden hued paint on the screen in hisWhite and Red Plum Blossoms理事长绪方,Kōrin实际金箔镶嵌到他吧k of art, having the gold dominate the work of art. This use of non-paint or ink materials in creating screens was a signature element of the Rinpa school, who also utilized items such as mother of pearl, although gold leaf was by far the most frequent material included in Rinpa school work.

Artwork from Wikimedia Commons: https://commons.wikimedia.org/wiki/File:Ogata_Korin_-_RED_AND_WHITE_PLUM_BLOSSOMS_(National_Treasure)_-_Google_Art_Project.jpg

Folding screens are a central part of Japanese art due to their use in Japanese domestic architecture as dividers between different spaces. This meant that screens such asWhite and Red Plum Blossomsby Ogata Kōrin were central decorative objects in houses during the Edo Period of Japanese history. Ogata Kōrin's work was one of the key developments of folding screens as an art form.

Artwork from Wikimedia Commons: https://commons.wikimedia.org/wiki/File:Ogata_Korin_-_RED_AND_WHITE_PLUM_BLOSSOMS_(National_Treasure)_-_Google_Art_Project.jpg

Ukiyo-e was the dominant form of Japanese art in the Edo period (1603-1867), and was aimed largely at the newly dominant upper middle classes by featuring images of geishas, sumo wrestlers, and kabuki actors. Ukiyo-e works were made from woodblock prints that allowed the artist to imprint a similar image on many different pieces of paper after creating just one block. Its handmade nature, however, allowed the pieces to be hand colored and shifted each time a new one was made.

Chinese paintings, whether fashionable court paintings or more individualistic works from theliterati,were traditionally presented on hanging silk scrolls. These scrolls were both easily portable and impressive in their scope, as they could be quite large. The manufacture of the scrolls themselves was considered an art form.

The woodblock format, popular throughout Asia, is an artistic format that is produced by having a large piece of wood cut into and dyed by the artist. Thereafter, this woodblock can be printed onto canvas or paper, making it extremely easy to duplicate the work of art again and again.

Woodblock was characteristic of the Ukiyo-e style, particularly the lack of depth and shadow. Literary text was not characteristic of this period, as it was common in the Heian period (i.e.Tale of Genji).

Ink on parchment could be considered an answer, since many artists did render drafts and sketches on paper with ink; however, the period is known for the woodblock.

Under the Wave off Kanagawais perhaps the most well-known Japanese woodblock print, from one of the form’s masters, Katsushika Hokusai. Japanese woodblock printing was produced by carefully carving an image onto a fine grained piece of wood, then applying ink to the block of wood and stamping the block onto a piece of paper. This allowed for works of art to be copied onto multiple pieces of paper and distributed quite widely.

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The Burning of the Sanjo Palaceis one of the more famous and most representative works of classical Japanese art. This handscroll painting, done about one hundred years after the event it depicts, features swift brushstrokes to emphasize movement, has a strong use of diagonals, and presents largely undifferentiated figures. All of these are classic hallmarks of Japanese handscroll painting from the Kamakura period.